Browsing: Music Reviews

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New York-based musician Svoy has a story that is all too familiar. Born in a small Russian town, he trained with the greatest talents his country had to offer, then moved to America to further pursue his dreams. Think of Baryshnikov or what probably happened with Ivan Drago after the end of Rocky IV. Except in this case, Svoy changed fields from jazz piano to electronica, so imagine Baryshnikov joining the cast of Stomp or Drago signing up for American Gladiator.

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The Eagles were one of the most recognizable bands in the 1970s. They produced hit after hit, putting 10 different singles in the top 10 of the music charts. But like every band that has ever had a “Behind The Music” special on VH1, it was not meant to last; money, drugs, and ego combined to split the iconic band apart. Back in 1994, the Eagles reunited due to their love for the very thing that got them into the business in the first place: money. They threw together a tour where they could charge $150 for crappy seats to hear decades-old music, then packaged a handful of new songs together with a live performance on a CD. It was titled “Hell Freezes Over,” which represented not only the unlikeliness of the reunion occurring in the first place, but also the unlikeliness of anyone under the age of 50 going to see their shows.

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If you haven’t heard of Saving Jane… hey, it happens. They had some modest success with their album, Girl Next Door especially once MTV picked up the single of the same name for the theme song of their crappy “Tiara Girls” show. Five months later Universal Records jumped on the bandwagon and re-released the album.

Now, Saving Jane returns with a new offering from their original indie label (Toucan Cove, which sounds entirely too Jimmy Buffett to be real). The band managed what many whiny, angst-ridden rockers cannot manage: to walk away from massive corporate interests in favor of keeping true to their sound and vision. The newest album, “One Girl Revolution,” gives the middle finger to any number of media outlets (and more than a few ex-significant others).

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Ozzy Osbourne has been making music since the mid-1700s. According to Wikipedia (the most reputable source in the history of mankind), he has sold 75 million albums worldwide, one for each year he’s been alive. He’s had a hit reality show featuring his incredibly lovable (and vaguely dysfunctional) family. He’s richer than I am. All in all, he’s had a pretty good career.

So why in the hell he would want to make Black Rain is beyond me.

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Maroon 5 came crashing onto the music scene in 2002 with a sound that was catchy and new (provided you’d never heard anything from Motown, ever). Their album “Songs About Jane” sold fifty gajillion copies worldwide. Four singles were released from the album, and those four singles took up 97.2% of the airtime on radio stations for a two-year period.

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Forget everything you thought you knew about Canadian music. Nelly Furtado is reinventing an entire nation’s musical history. You’ll find no songs about sinking ships (be they iceberg-bound cruise ships or freighters crossing Lake Superior), no denim-clad crooners, no angsty female performers who may or may not say “aboot” in an post-concert interview.

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