Forget about classic “whodunits.” The Hangover lays claim to the genre of “whadafuckhapind.”
Browsing: Movie Reviews
With Halloween weekend upon us, I figured I should share a few of the horror movies that I hold dear. That way, you know exactly what to go pick up for your own horror-fests. These are only short reviews so you will know exactly what you are in for if you watch any of these.
To say that Clark Greg’s inaugural opus, Choke, is strange does not do it justice. Just ask the old lady who sat a row behind me in the theater and continually exclaimed, “This is just so . . . weird,” in five minute intervals throughout the entire movie. She’ll tell you. Really, ask her.
Rye Silverman follows the jokers, the smokers, and the midnight toker’s for a ride on the Pineapple Express.
After finally seeing The Dark Knight and living through the hype surrounding this movie for the past 3 months, I thought it was time to write a rating article. No, I’m not rating which Batman character was better(that one should be obvious: Adam West of course!), and I’m not going to rate the movies themselves. That has been done time and again, in jest and in seriousness.
Once again fulfilling his 4th of July weekend movie quota, Will Smith appears as the titular burned out superhero in Hancock. Previews for months have shown scenes of Smith flying around LA with a bottle of whiskey in his hand, a ratty ski cap on his head, and a case of five o’clock shadow, as he smashes through freeway signs and in general causes more problems than he stops.
Pixar studio’s new release, Wall*E, is following a long line of highly successful animated features from a company who consistently shows they know what they are doing with the medium. Wall*E, as we were told from the first teaser trailer, is the last of the original concepts drawn up by Pixar upon the release of Toy Story. It comes to us 13 years after that first film, and so one must wonder if there was a particular reason why it took so much longer than say, A Bug’s Life or Finding Nemo, and after new concepts such as The Incredibles, Cars, and Ratatouille.
Back in January, I wrote a blog that debated how good an idea a Get Smart remake was in 2008. Can a parody of a genre that no longer functions in the same way it is being parodied work? Having seen the movie, the answer is yes.
Despite my deep geek side wanting to, I resisted the temptation to go see Indiana Jones and the Kingdom of the Crystal Skull at the “12:01” screening. I decided that I had waited 19 years for a new Indy, I could wait ’til Thursday morning. So when I was talking to a friend about it at 12:15, his response was “I heard it sucks.” An odd thing to hear about a movie that had been out for about fourteen minutes and really had probably not even started yet when you consider the trailers. I pointed this fact out to him. “Oh but the reviews are bad,” he said. The reality again is that the reviews, while not stellar, have not been bad. The movie has floated between 77-80% freshness on RottenTomatoes, and that percentage has been increasing, not declining, as it opens nationwide.
I went to a movie the other night. It had been a while since I had been to one because of all the good stuff life brings (job, bills, the overall daily rigamarol). As it was now a rare occasion to go to the movies, I wanted something that truly exemplified a summer movie experience…and no, I’m not talking about Iron Man (while a great movie in its own right, I’m gonna say its slightly overated…so nyah ;). I’m talking IMAX time, folks. And I’m talking Speed Racer!